FUGAZ

Fugaz was born from the noise and relentless pace of Buenos Aires.

Writing with Masto began with an audio recording Martín had sent on his way to the studio: the city's rhythm became the starting point for the track and its lyrics. An idea emerged from that exploration: everything happens so quickly that days slip by almost without us noticing.

The song blends UK garage with experimental elements and layered vocal arrangements.

Masto proposed the more experimental elements, while Martín primarily developed the vocals and choral arrangements. These contributions evolved through a shared creative process that also shaped the music video's script, written together, second by second.

The video imagines what could unfold within a single instant. Two people cross paths, exchange glances, and a love story begins. Dates, bars and encounters build a romance that feels like a dream.

A twist at the end reveals that none of it happened: they simply bumped into each other, apologized and went their separate ways. A possibility that the city's pace never allowed to become real.

José Correa was a key collaborator during the audiovisual development before the shoot. Beyond operating the camera, he helped shape the concept alongside Martín and Masto.

For Martín, Fugaz meant taking on a larger-scale production.

His work included pre-production meetings, location scouting in Buenos Aires, arrangements with venues such as Caldera Bar, equipment rentals, catering and shoot logistics.

That preparation and coordination supported the creative vision, from writing to filming.

Selected moments from the Fugaz shoot: scenes at Caldera, the rooftop and the crew working behind the camera.